Lisa Bueno, a NYC musician and high-school math teacher, was introduced to English Country Dance during her first summer at Pinewoods in 2000. She fell in love with the music and has been playing for dances ever since.

Lisa is a classically trained violinist with both a B.A. and M.A. in music/musicology from Brandeis & Yale University. She has taken intensive ECD musician’s classes with both Jacquelin Schwab and Kate Barnes. Lisa has performed for English and Contra dances in NYC, Westchester, Ridgewood, Chatham, Round Hill, New Haven, Syracuse, and Rochester, as well as at dance festivals such as NOMAD, SYNERGY, and Dance Flurry.

Originally from North Bennington, Vermont, Matthew Christian was drawn to the fiddle by the playing of Dudley Laufman at family kitchen dances. Matthew first found musical work busking on Main Street and in the New York City subway.

Since then, Matthew has established himself as a thoughtful and energetic performer and teacher with a particular interest in Irish traditional music. In addition to hosting three weekly Irish sessions, Matthew plays and teaches a range of music including high-energy Irish rock, stately English Country Dances, and energetic contra dances. A calendar and teaching profile is available at his website: https://matthewchristianmusic.com/

Ground-breaking flutist Zara Lawler, “an engaging, fluent, mellifluous soloist” (Houston Chronicle), made her concerto debut with the Houston Symphony and her recital debut at New York’s Merkin Concert Hall. In 2021, she created Symmetrical Lives, a music and dance film of the Bach Suite in B Minor, with violinist Maja Cerar and choreographer C. Neil Parsons, which was premiered as part of The Metropolitan Museum of Art’s Balcony Bar from Home and premiered as a live staged performance in NYC in 2022.

Her other activities during the pandemic have included the world premiere of HOWL, a spoken word and dance piece with DoubleTake Dance as part of the Higher Ground Premieres in New York City, a series of Farm Concerts — performances for “safe audiences” of farm animals and plants, and Symmetrical Lives, an innovative music/dance video of J. S. Bach’s Suite in B Minor, created with violinist Maja Cerar and choreographer C. Neil Parsons. Past highlights include the US premiere of Il Cerchio Tagliato dei Suoni, Salvatore Sciarrino’s work for 104 flutists, directed by Lawler at the Guggenheim Museum, a Flute Jamboree directed by Lawler at the Kennedy Center, and tours of Texas, Massachusetts, Michigan and Ohio with her flute and marimba duo Lawler + Fadoul. Lawler + Fadoul returned to the Kennedy Center in 2016 and 2019 for performances of their family show Break it Down! Their new theatrical concert Clickable, featuring music of persuasion, was incubated and premiered at nancy manocherian’s the cell theater in NYC in November 2016, and was released as an album on Parma Recordings in 2020. Their debut album, Prelude Cocktail, featured world premieres by Katherine Hoover and Roshanne Etezady. Zara Lawler’s solo show, The Flute on its Feet, was featured at the Orlando Fringe Festival in May 2019.

For many years, Lawler has integrated dance and theater into her performances, with the innovative ensemble Tales & Scales, in collaboration with choreographer C. Neil Parsons, and in large-scale choreographies for flutes including E Pluribus Flutum, Lawler’s work for sixty dancing flutists. Lawler has given solo recitals in New York, Santa Barbara, Hong Kong, and has appeared as a soloist with the Atlanta, Utah, Indianapolis, and Oregon Symphonies, and the Hong Kong Philharmonic, and in such venues as the Kennedy Center, the Kravis Center, and Lincoln Center. She has won many competitions including the Ima Hogg Young Artist Competition and Artists’ International and studied at the Juilliard School with Carol Wincenc and Sam Baron. Her summer festival credits include Marlboro, Tanglewood, Banff (Canada), Bach Aria Festival, and Schleswig-Holstein (Germany).

Lawler teaches at Manhattan School of Music Precollege and Silver Music, and has a blog on practice techniques at www.thepracticenotebook.com, and more about her work can be found at www.zaralawler.com.

Dominik Landowne grew up in Chicago and Rockland County, NY immersed in the folk dancing scene, having dancers as parents.

A graduate of Chicago School of Violin Making, he works full-time for an instrument rental company repairing violins, violas, and cellos and rehairing bows. Classical violin training began at 9 years old, which led to attending Kinhaven Music School for 3 summers, New York Youth Symphony for 3 seasons, and one year at Baldwin-Wallace College Conservatory. Since high school, Dominik has been occasionally hired to play for Eurythmy (a performing dance-like art learned in Waldorf Schools).

He has played regularly in bands for English Country Dancing since 2020, both in Ridgewood, NJ and with Serendipity at Country Dancers of Westchester, which included 10 lessons with renowned violinist Barbara Greenberg!

Dominik also enjoys exploring traditional Irish music, playing chess/puzzling, gardening, and hanging out with cats.

Peter Roberts has been pianist for the Westchester-based English Country Dance band Serendipity since 2017. He found his way into the genre after taking classes with the choreographer and caller Fried De Metz Herman when she taught beginners the fundamentals of English Country Dance at the start of a dance at the Church in the Highlands in White Plains, NY, where CDW is based. Peter, who was an elementary school music and movement teacher, brought several dances into the classroom. The dances were regularly performed during the school year, most notably for the winter solstice and spring maypole assemblies.

Peter received his B.A. and M.A. from Hunter College of the City University of New York. He also received certificates in music and dance education from New York University, George Mason University, The University of Northern Colorado, and from the Dance Education Laboratory (DEL) at the 92nd St Y.

Peter studied English County Dance piano under Leah Barkan, the former pianist for Serendipity, and Cynthia Shaw, pianist at CDNY. In addition to playing piano, Peter plays the pipe organ and was the organist and choirmaster at Grace Church, White Plains.

Peter writes, “As pianist and leader of the band Serendipity, I joyously interpret these melodies for the dance community.“

Robin Russell, pianist. A former Contra and ECD-obsessed dancer, Robin fell in love with playing for dance after a band workshop in which she played woodblock! She revels in the musician’s ability to move dancers physically and emotionally. As pianist of the Flying Romanos, she has toured in England, Canada, and Japan, and has recorded four CDs of dance music. She’s been playing for CDNY’s English dances since the 1990’s and is the lead musician and organizer of the North NJ Country Dancers in Ridgewood, NJ.

Cynthia Shaw, pianist, singer, and actor in the New York area.  Cynthia is a conservatory-trained classical pianist, having received her MM in Piano Performance with Solomon Mikowsky at the Manhattan School of Music. She specializes in accompanying singers and choruses as well as performing at Jewish concerts and services at NYC’s Temple Emanu-el, Temple Israel, Park Avenue Synagogue and Town and Village Synagogue. A professional choral singer, she has sung with the New York Choral Artists with the NY Philharmonic when they won Grammy Awards. She has sung at Avery Fisher Hall and Carnegie Hall. She toured with The Gregg Smith Singers and recorded “The A Capella Singer” with the Doug Frank Chamber Chorale. She continues to freelance as a professional choral singer.

Cynthia was Musical Director for over thirty regional and off-off-Broadway shows and was the proud Musical Director of the New York Christmas Revels for over fifteen years. She has written and performed an award-winning solo show, Velvet Determination, a musical journey about wrong notes, hard knocks and the keys to success, which is about her coming to New York as a young, innocent classical pianist from her small hometown in Colorado. She has received many awards for the show, including, “Best Festival Debut” (NYC United Solo Festival) and “Best Solo Show” (Pittsburgh Fringe). The show has had other NYC performances at 59e59 Theater, The Chain Theatre, Hudson Guild Theatre and the Gene Frankel Theatre, and has toured at Galway Fringe, Capital Fringe, Boulder Fringe, Reykjavik Fringe, Edinburgh Fringe, Rochester Fringe and PRO.ART in Kyiv, Ukraine.

This past May, Cynthia presented her cabaret debut, The Spark of Creation, at the NYC cabaret Don’t Tell Mama. She has created a comedy web series, Dr. Ivory von Tickle, the Perceptive Piano Teacher, who teaches online with joy and confusion. The series is the Official Selection at over a dozen film festivals world-wide. She is the Musical Director of the a cappella chorus, The Art Mob.

Cynthia has been playing for English Country dancing for over 20 years, mostly with CDNY, both at its regular Tuesday night series and its Playford Balls.  She’s been on staff at dance weeks at CDSS’s Pinewoods Camp and other places, including a dance week with Andrew Shaw  and the late Philippe Callens in Malle, Belgium.  She has played with many instrumentalists in NYC and worked with many callers. And she has created a website dedicated to English Dance Pianists: https://www.englishdancepiano.com/

www.cynthiashawmusic.com

www.cynthiashaw.us

www.velvetdetermination.com

www.drivoryvontickle.com

Sarah Stefanski has been playing string instruments since she was a little kid and never stopped. Her love of music collided with dancing when she discovered the world of folk dance in Philadelphia, where she learned English Country Dance from Joanna Reiner Wilkinson. Since then, Sarah has been an active member of the folk dance community both as a musician and a dancer. CDNY supported Sarah to study English Country Dance music with violinist Naomi Morse in 2019.

Apart from playing for English Country Dance, Sarah is one-third of the band Torrent, which regularly performs for Contra and Scottish dancing in the tri-state area, and Sarah has also been featured as a class musician at Pinewoods Camp’s Scottish Sessions. She is a regular in the viola section of the Broadway Bach Ensemble orchestra.

Lisa Terry is an avid chamber music performer and soloist on viola da gamba and violoncello. From her home base in New York City, she performs with Parthenia, Dryden Ensemble, Lyra Consort, Pegasus Early Music, and TENET. She is principal cellist and viol soloist with Tempesta di Mare, Philadelphia’s baroque orchestra. Lisa teaches at the Viola da Gamba Society of America Conclave and also CDSS Early Music Week at Pinewoods, where she first fell in love with playing for dance in 2009. She is heard in dance bands for Country Dance New York and in Ridgewood, Princeton, and Westchester.